不能进入历史的历史

此项目于2019年与淡水（XiYue）共同实施，材料为纸浆。 我们试图通过使用纸这种书写材料，模仿并制作假岩石以某种意义上再现书写和地质生成过程中的某种共性。岩石一方面如同书写媒介，它的质地和形式记录了地质历史中的各种力量，而另一方面，地质的形成也将历史的细节抹去，使之模糊。 ​ 在纸浆之中，我们融入了书写有诗的纸张，这些诗句涉及历史上一些“敏感”事件因此不能进入历史。

History that Cannot Enter History

This project is a group of installations with pulp mixture as its main material, implemented jointly with Xing Xiao in 2019. We mix paper with texts and images into the pulp; the texts and images are about certain histories that cannot enter the center of history. They are dissolved and hidden in paper rocks and paper mountains. Mountain and rock, as a central theme in the rules of premodern literati painting, they embody a non-central, sub-political characteristic: mountains and rivers are regarded as the vehicle of world order, but they are also the residences of Ji Kang and Yu Boya who have abandoned the worldly order. Our interest in this dilemma persists through the process of this project.